PUBLICAȚII

Caterina Preda

  • Arte e Estado: políticas da memória na Romênia (Tradução Julia Abdalla), (Copenhague / Rio de Janeiro, Zazie Edições, 2021)
  • “The aesthetic surveillance of performance art by the Romanian Securitate in the 1970s and 1980s”, Third Text, 35:3 (2021), 355-372
  • “The transnational artistic memorialisation of Operation Condor: documenting a ‘distribution of the possible’”, Journal of Latin American Cultural Studies Vol 29: 2 (2020): 251- 269
  • ”The Role of Artists’ Collectives in Producing State Socialist Art in 1950s Romania: the Bottom-up Pragmatic Professionalization of State Commissions”, ArtMargins, Vol 9/3 (2020):  29–52.
  • ”The Transnational “Memorialization” of Monumental Socialist Public Works in Eastern Europe, International Journal of Cultural Studies, Vol 23 (3): 401-421
  • ”The Chilean Museum of Solidarity and Transregional Links with Romania during the Cold War”, Online Journal Modeling the New Europe, No. 32 / 2020, pp. 35-57.
  • ”Artistic memorialization of the Roma Holocaust in Romania: render visible the historical trauma and document the suffering”, Holocaust. Studii și cercetări, vol. XI, no. 1(12)/ 2019, pp. 123-148
  • Art and Politics under Modern Dictatorships A Comparison of Chile and Romania (Palgrave Macmillan, 2017)
  •  The State Artist in Romania and Eastern Europe  The Role of the Creative Unions (Editura Universității din București, 2017)
  • Caterina Preda, Dan Drăghia, Dumitru Lăcătușu, Alina Popescu, Cristina Stoenescu (eds.), Uniunea Artiștilor Plastici din România în documente de arhivă (Editura Universității din București în 2016)
  • ”The Role of Art in Dealing with the Communist Past” in Justice, Memory and Redress: New Insights from Romania edited by Lavinia Stan and Lucian Turcescu (Cambridge Scholars Publishing, 2017), 166-189.
  • ”‘Project 1990’ as an Anti-Monument in Bucharest and the Aestheticisation of Memory, Südosteuropa 64:3 (2016), pp. 307-324
  • “Art of memory: contemporary artistic views of the 1989 Romanian Revolution”, Art, society and politics in (post)socialism, edited by Andreea Lazea (Timisoara: Ed. Universitatii de Vest, 2015), pp. 191-210.
  • „Art contemporain de mémorialisation au Chili: deux exemples de contre-mémoire”, in Le 11 Septembre Chilien Le coup d’Etat à l’épreuve du temps 1973-2013, eds. Jimena Paz Obregón Iturra et Jorge Muñoz (Presses Universitaires de Rennes, 2015), 213-226.
  • ”Forms of collaboration of visual artists in communist Romania of the 1970s-1980s”, Hungarian Historical Review (no1/2015), pp. 171-196
  • ”Los detenidos desaparecidos en el arte de memoria chileno y su relevancia para el proceso de democratización”, Afuera Estudios de critica cultural, 15
  • ”Le rôle de la nostalgie dans la mémoire artistique du passé communiste dans la Roumanie contemporaine”, Canadian Slavonic Papers 57, No. 3-4 (2015), pp 268-283
  • “The digital (artistic) memory of Nicolae Ceauşescu” in Memory, Conflict and New Media. Web wars in Post-Socialist States, eds. Ellen Rutten, Julie Fedor, Vera Zvereva, (London, New York: Routledge: 2013), pp. 197-213
  • “Civil society activism and authoritarian rule in Romania and Chile. Evidence for the role played by art(ists)“ in Francesco Cavatorta (ed.) Civil Society Activism under Auhtoritarian Rule. A comparative perspective, (London: Routledge, 2013) pp. 57-72.
  • ”Arte de memorialización a 40 años del golpe”, Revista Tiempo Historico, No 6, 2013, pp. 49-62.
  • ”Sub supraveghere (artisticã). Relaţia artiştilor cu Securitatea”, Studia Politica Romanian Political Science Review, XIII, No. 1/2013, pp. 159-172.
  • “Artistic Critiques of Modern Dictatorships”,The European Legacy: Toward New Paradigms, Vol 17:7 (2012), pp. 899–917
  • “Art and Politics in Postcommunist Romania”, The Journal of Arts Management, Law, and Society, Volume 42, No. 3 (2012), pp. 116-127.
  • “Looking at the past through an artistic lens: art of memorialization” in History of Communism in Europe. Politics of memory in Post-communist Europe, , new series, vol 1/2010 (Bucharest: Zeta Books, 2010), pp. 129-148.
  • “Dictators and Dictatorships. Art and Politics in Romania and Chile (1974-1989)” in Terror and the arts. eds. Matti Hyvärinen & Lisa Muszynski, (London: Palgrave Mac Millan, 2008), pp. 147-163.
  • “Enclaves autoritaires’ artistiques au Chili? Art et politique dans la démocratie retrouvée”, Studia Politica Romanian Political Science Review, Vol. VIII, no. 4, 2008, pp. 869-888.
  • “Institutional Models and Artistic Policies in Romania and Chile (1970s-1990s)”, Studia Politica Romanian Political Science Review, VIII, No. 3, 2008, pp. 641-677

Irina Matei

Publicații recente:

  • Irina Nastasă-Matei, Transnational Far Right and Nazi Soft Power in Eastern Europe: The Humboldt Fellowships for Romanians, în „East European Politics and Societies”, Vol 35, Issue 4, 2021, pp. 899-923.
  • Irina Nastasă-Matei, The Humboldt Fellowships for Eastern Europe During the Cold War: Politics and Numbers, în „PLURAL – History. Culture. Society”, vol. 9, nr. 1, 2021, pp. 180-204.
  • Irina Nastasă-Matei, Zoltan Rostas (coord.), Rediscovering Eastern-European Universities. Perspectives from the Interwar Period, București, Edit. PRO Universitaria, 2020, ISBN 978-606-26-1240-5, 278 p.
  • Irina Nastasă-Matei, Ernest Bernea and the Legionary Movement. The Ideological Choices of an Intellectual and their Post-war Consequences, în „Holocaust. Studii si cercetari”, vol. XIII, nr. 1 (13), 2020, pp. 155-180.
  • Irina Nastasă-Matei, Romanian students in Nazi Germany and their political options: several case-studies, in “Intellectual Antisemitism from a Global Perspective” – Comparative Studies from a Global Perspective Vol. 4 (coord. Sarah K. Danielsson, Frank Jacob), Königshausen & Neumann, Würzburg, 2018, pp. 117-131